Skip to content
Eichholtz has built an unusually strong roster of named partnerships with designers and makers over the last decade, and two of the most active have anchored prominent positions on our Las Vegas floor: the Corey Damen Jenkins Lighting Collaboration, a thirty-two piece capsule of chandeliers, sconces, and table lamps developed with the celebrated American interior designer, and the Maison Moghadam Rug Collection, ten hand-tufted rugs designed in collaboration with Kamyar Moghadam. Both are recent additions to the Eichholtz catalog, both are visible signatures on our showroom floor, and both deserve their own dedicated piece in this Journal.
Two collaborations — a thirty-two piece lighting capsule and ten hand-tufted rugs — that demonstrate why Eichholtz keeps choosing partners carefully.
The Corey Damen Jenkins Lighting Collaboration
Corey Damen Jenkins is one of the most recognizable contemporary American interior designers — a designer whose work tends to read as warm, color-confident, and structurally rigorous in a way that few of his peers manage. The Eichholtz collaboration is his first dedicated lighting capsule with a major furniture house, and it is one of the more disciplined design partnerships in the industry. Thirty-two pieces. No bloat, no extras, no piece that exists only because the project needed a piece in that category. Each lamp, sconce, chandelier, and pendant has a clear job and a clear identity.
What you notice first when you spend time with the collection is its appetite for jewel-like detail. Polished brass and crystal play across a vocabulary of curved arms, layered tiers, and small architectural moments. Several of the pieces — the Andromeda chandeliers and sconces in particular — function as sculpture before they function as light, which is a high bar that Jenkins routinely clears.
The pieces to know
The capsule's most photographed piece is the Chandelier Andromeda, which has the kind of structural drama that turns a dining room into a destination. Its sconce sibling, the Wall Lamp Andromeda, brings the same architectural language to a smaller scale — a sconce designed to read as significant without crowding a hallway. The Wall Lamp Melbourne is one of the more practical wins in the program — a refined, livable sconce that works in places where the Andromeda would be too much. And the Table Lamp Dionne is the workhorse table lamp the rest of the collection orbits — sculpted, balanced, and almost impossibly photogenic next to a stack of books.
How designers are using it
The Jenkins lighting capsule has been particularly successful in two contexts: significant residential projects where the lighting carries narrative weight, and boutique hospitality projects where the design needs to feel hand-considered. The Andromeda is the breakout — projects that need a single statement chandelier reach for it almost reflexively. The Melbourne and Dionne are the workhorses — pieces that show up in finished projects so often they have become a kind of contemporary classic.
The Maison Moghadam Rug Collection
Kamyar Moghadam is a rug designer whose work occupies a particular niche — pieces that read as serious without being austere, contemporary without being cold, and that respect the long tradition of woven floor coverings without being held hostage by it. The Maison Moghadam Rug Collection for Eichholtz is the result of a focused collaboration that produced ten hand-tufted rugs, available in two scales: a generous ten-by-thirteen-foot for grand rooms and a six-and-a-half-by-ten for more intimate spaces.
The collection covers an interesting palette range — from the warm, earth-tone Rug Marlton (brown and orange) to the soft, neutral Rug Blakemore (beige and grey), with the lush, jewel-toned Rug Mayfield (green) anchoring the saturated end of the spectrum. The Rug Featherstone sits in the quietly luxurious middle — a neutral that reads as expensive without trying.
What hand-tufted means in practice
"Hand-tufted" is the kind of phrase that gets used loosely in the rug industry, so it is worth being precise about what the Moghadam collection actually involves. The construction is a labor-intensive process in which the wool is fed through a hand-held tufting tool by a craftsperson working from the back of a stretched canvas. The resulting pile is dense, sculptural, and capable of holding fine textural detail in ways that machine-tufted rugs cannot. Each rug in the collection is the product of significant manual labor, and that shows in the surface — there is a softness and dimensionality to a hand-tufted piece that machine production simply cannot replicate.
Pieces to know
Why both collaborations matter
What unites the Corey Damen Jenkins lighting capsule and the Maison Moghadam rug collection is something that is easy to miss in the design press's enthusiasm for the next thing: both are committed collaborations. They are not a single hero piece slapped together for a press cycle. They are coherent bodies of work that produce things designers will reach for repeatedly over the years they are in the catalog. That is how a serious furniture house treats a serious collaboration, and it is how the most-trusted European design brands have always handled this kind of work.
If you are designing a project where the lighting needs to do more than illuminate, the Jenkins capsule is the collaboration to know. If you are designing a project where the floor covering needs to anchor the room without dominating it, the Moghadam collection is the obvious place to start. Both are fully available through Eichholtz Las Vegas, with priority sourcing for trade clients.
Designers and architects
Apply for trade access to specify the Corey Damen Jenkins lighting and Maison Moghadam rug collections on your projects.
Apply for Trade Access
